Dan Bull’s musical open letter to Lily

Oh, and on the subject of my last post, the scandal they’re (oh okay, I’m) now calling Lilygate has developed further. After a major toys-out-of-the-pram moment she’s now made a rather more dignified adjustment to her original stance.

Not that we’re really in a position to poke fun; some of the comments have been pretty nasty over the past few days, and however hypocritical Lily has been, she doesn’t deserve that. Well-written satire is always the best way to lampoon celeb silliness, and on that subject, this is a great song from Dan Bull…

Posted in Music, Music industry | 1 Comment

Not so Lily-white now, eh?

Poor Lily Allen.

Ten days ago, she joined Metallica in the “poacher turned gamekeeper” chapter of pop history when she spoke out, not only against filesharing in general, but also against the Featured Artists Coalition.

She’s a bit hazy on factual accuracy in there, but we’ll let that pass for the moment. It’s always funny how so many cheeky, edgy young popsters quickly leap on their high horses when they suspect that someone might be chipping away at their new-found wealth. To be fair, we’d probably all do the same, but perhaps we wouldn’t need quite such a large shovel as Ms Allen will be buying this week.

First came the revelation that another of Lily’s anti-filesharing blog posts was copied almost verbatim from a Techdirt article. Well, she’s a busy woman, isn’t she? Most of my blog posts are just copied word for word out of John McCririck’s autobiography.

But that’s not all. Lily really has no respect for the copyright laws she so vociferously battles to uphold. Her “mixtapes”, used as a marketing device at the start of her career, are still available for free download from her website. Free mp3s from a variety of artists! Just ask for Lily, she’ll see you right! Filesharing is uncool, unless it’s done by cool people, right?

Cory Doctorow writes an excellent summary of the whole sorry mess on BoingBoing. Like Cory, I’m a small-time fan of Lily’s music and have no wish to see her humiliated. And like Cory, I don’t think she’s actually a complete hypocrite… she’s just got all excited over the subject and really hasn’t thought it through. On balance, despite her aversion to the established rockers who “do sell-out arena tours and have the biggest Ferrari collections”, I suspect Lily would be more at home in the Featured Artists Coalition than she might think.

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Gibson’s New Coke?

Back in blogging mode, and I must apologise to non-guitarist readers, as this is a bit guitar-geeky.

This month’s big guitar news has been the deal between Gibson and Janie Hendrix, sister of the legendary Jimi, and senior honcho at the Authentic Hendrix, the organisation which takes care of the great man’s work and archives. The upshot of all this is a series of three Hendrix signature guitars. Oh look, there’s one of them below…
Er… right. So it’s not exactly dissimilar to a Fender Stratocaster, really, is it? The offset body shape and simplified headstock shape (have they been taking lessons from John Suhr?) are a little different, but it’s not hard to see the inspiration. And why not? The image of Hendrix with a Strat is one of the most recognisable in the history of rock music.

But then, Fender have already invented the Stratocaster, and have continued to manufacture versions of it since 1954, including at least three specific Hendrix tribute models and nostalgic replicas of the off-the-shelf late 1960s models as used by Jimi.

What’s more, the three Gibson models are priced between 250 and 450 US dollars. That’s not just for the guitars, either… each one comes with an amplifier and various multimedia goodies, and the most expensive package also includes a fuzz pedal. This is pretty low-budget stuff, so what’s going on?

For non-guitar readers, perhaps I should explain a little. Much of the history of the electric guitar has been dominated by two American companies, Fender and Gibson. Both played pioneering roles at the start, and both have a generous list of celebrity users, but there’s generally a distinctly identifiable character to the style of each company. Right from the start, Gibson guitars had the look of luxury and classic craftsmanship, while Fender are better known for a modernistic utilitarian look. The boundary has become blurred over time, but there’s still a certain amount of truth in that simplistic summary.

Readers with memories of the 1980s may recall how Coca Cola changed their basic formula, introducing a smoother, sweeter version of Coke in an attempt to reverse a sales slump in comparison with their main rival, Pepsi. The product bombed. Is this the guitar version of New Coke?

It gets worse, too. The price range of these guitars puts them in an area of the guitar market in which Gibson have limited experience, and in which Fender have MASSES of experience. The beginner/budget market is fiercely competitive and dominated by the Fender Strat and interpretations thereof. Can Gibson compete, even with the help of the Hendrix brand? I seriously doubt it, because I suspect most Hendrix fans will not be satisfied with “very similar to a Strat”, even if it does feature Jimi’s signature… they’ll want a Fender Strat.

Furthermore, you have to wonder at the business sense of sister Janie Hendrix… did “her people” even look into the far more appropriate idea of launching this project with Fender? Given the clumsy and misguided zeal with which the Hendrix name has been exploited since he died, I guess not.

Posted in Guitar, Music, Music industry | 4 Comments

Ahem…

Yes, I realise I’ve written nothing on here for a month. A mixture of house buying/selling and all the stupid bureaucratic box-ticking crap involved, a week of pure air and sunshine in the Swiss alps (to recover from the former) and a sudden mass of bluesjamtracks work is to blame. I’ll write something proper very soon…

Posted in Drivel | 3 Comments

Les Paul 1915-2009

It was probably inevitable that the mainstream media would focus on Les Paul’s connection with the solidbody electric guitar, in some cases almost implying that he invented the electric guitar. The average evening news viewer has little concept of multi-track recording, but can easily understand what an electric guitar is, and that the model used by Slash and Jimmy Page bears the name of this old chap who just died.

I just wish they’d try a *little* harder. Yes, he had an important role in electric guitar development, but how many of us actually play guitar or listen to electric guitar music? His role in studio technology, however, was absolutely pivotal, and we all own LPs, CDs or MP3s of music created in professional multi-track studios. It’s these recordings, not the electric guitar, that owe their existence to Les Paul.

My own experiences match this. My first electric guitar was a very cheap copy of a Gibson Les Paul and I did own a Tokai Love Rock (a well-respected Japanese replica of a classic 50s LP) for about three years until I sold it last month, but I’ve spent far, far more of my life playing guitars with a direct line of descent from Leo Fender’s inventions. My appreciation for Les Paul is founded almost entirely on his other work, and the best way I can explain it is this…

Like many guitarists who spend more time practising in their bedroom than gigging with bands, I very quickly developed an interest in recording my own playing and, most importantly, being able to overdub, to hear me-as-a-band. When I started playing, consumer four-track machines (using cassettes) were already becoming popular, but they were way out of my budget, so I waited all through school, through university, through the unemployment that followed until I could buy a multi-track machine (a Tascam eight-track).

And you know what? When I come to take stock of my life and look back on the most significant moments, that first multi-track recording experience will be one of them. Certainly in my life as a musician, nothing has compared with the moment when I listened back to one of my first proper recordings, hearing the interplay between parts that had previously only existed in my imagination. It’s the closest thing to Harry Potter magic I’ve ever experienced, and I have Les Paul to thank for making that possible and affordable so early in my lifetime.

Posted in Guitar, Music | 3 Comments

My new screenshot trick

I’ve been using OSX almost since the start (and old-style Macs for a few years before that) so I always tend to skim the “Mac 101″ posts on TUAW. But having idly followed one of their links to the Pro Tips section of Apple’s site, I then found a tip about screenshots.

You know how to do screenshots in OSX, right? Command-shift-3 to create a picture of the whole screen, or command-shift-4 to summon the cross hairs, allowing you to select a specific area of the screen. But I never knew this…

Super-Clean Screenshots

Having pressed command-shift-4, you then hit the spacebar, and the cross hairs change to a camera icon. As you pass the camera icon over various screen elements (application windows, folders, the Dock) they’re highlighted, showing that if you now click the mouse, you’ll create a picture of that element only. Clever!

Posted in Apple, Technology | 3 Comments

Wholesomeness transcends cultural boundaries

Camp Quest, the summer “freethought” camp, has come to Britain and is running right now. Some of the froth in the media has been amusing (particularly the hilarious Dawkins sets up kids’ camp to groom atheists in the Sunday Times) and there have been plenty of mistaken statements to the effect that the camp was set up, or even run, by Richard Dawkins (his foundation is a donor to Camp Quest, I understand).

And yeah, why not? Get kids questioning stuff and thinking for themselves. If I had kids, I’d far rather they went to a secular humanist summer camp than anything based on a single religion.

But then, if I had kids, I wouldn’t be sending them to any summer camp. I mean, seriously, what sort of parents send the poor buggers on these things? Kids want to be kids, not some kind of prototype office-motivational-away-day drones. Let’s see what they’re going to be doing…

We aim to provide summer camping holidays and trips that focus on our childrens needs – physical and mental activity, and a lot of fun! As well as the more traditional outdoor activities – canoeing, climbing, zip wire, high ropes…

Well, okay… some kids like that sort of thing. Posh kids. Swotty kids who always get picked first in games.

[And kids who never learn how to use the possessive apostrophe on plurals? No, I'm not that pedantic or bitchy, am I? Hmmm?]

… our enthusiastic and knowledgeable counsellors will lead the children on a variety of activities which could concern anything from critical thinking and logical fallacies, to the scientific method and pseudoscience, philosophy, ethics, famous freethinkers and world religions!

School, then. Or even worse than school, by the sound of it. Just the thing that you want to escape from during that long, blissful summer break. We could take a big step in improving the world by filing the word “activities” in the same class as “paedophiles”, “power lines” and “deep, dark water”… the sort of things that all kids should be warned about and taught to avoid from an early age.

Like I say, why not just let kids be kids? Their school hours and after-school hours are already filled with adult-devised schemes to foster obedience and conformity… give them a break during the holidays and let them idle around. They’ll get bored, of course, and then imagination and self-sufficiency takes over. It has done for every other generation up to now, after all.

Posted in Art/Culture | 4 Comments

Kids say the FUNNIEST things!!!!!!

One of my personal bugbears is that old cliché, “My five-year-old can set the video recorder; I don’t even know where to put the tape in”. As well as being a mainstay of mainstream stand-up comedy from the late 80s, I also heard it in plenty of real-life conversations. Yeah, I know… it was only ever supposed to be light-hearted, and mostly an exaggeration, but I still can’t help finding it irritating. Maybe because it seems like a celebration of complacent stupidity, I dunno.

Alarm bells started to ring, then, when I read that Morgan Stanley, purveyors of Complicated Grown-Up Stuff, had employed a 15-year-old intern to tell them about teenage media habits. Yep, we’ve now regressed to not understanding a jot about this new media stuff… bring on the spotty kid!

Apart from my double-take at the phrase “15-year-old intern” (do they not have skateboards, underpasses and cheap alcopops where this poor little chap lives?) it also amused me that such a large corporation would place so much trust in the word of one teenager… “We’ve had dozens and dozens of fund managers, and several CEOs, e-mailing and calling all day”, according to the executive director of their European media team. Let’s just take a moment to remind ourselves what has been happening to the economy recently, eh?

I also found some of the conclusions surprising. As did the Guardian’s Tim Dowling, whose teenage child’s comments are much closer to what I’d expect from my (slightly younger) niece. Dowling is spot on with his conclusion… whatever Morgan Stanley may have been told, this is a social group that largely expects to get every short-lived fad for free, so why are we even asking them? Your five-year-old may well be able to program your networked multimedia device, but have you seen what he’s actually recorded for you?

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Selling my Tokai Love Rock

Yep, I’m so bad at selling guitars that I’m now selling another!

This is an early noughties Japanese Love Rock, model LS95F, and obviously it’s left-handed. The “F” indicates that there’s a thin flamed sycamore veneer on top of the usual maple cap. This is common on recent mid-range Love Rocks… it means that they can keep costs down by not having to use expensive flamed maple for cosmetic purposes. But then sycamore is a type of maple, so the tone isn’t going to be affected too much.

I’ve been very careful with this guitar (probably because it’s so damn cute and less obviously utilitarian than some of my other guitars) so it’s almost in “as new” condition. There’s just a couple of belt-buckle dents on the back. Everything is stock apart from the wiring… I installed CTS pots, Orange Drop capacitors and rewired everything to the Gibson 1950s schematic (Gibson and many of the replica manufacturers now use a slightly different wiring scheme, which seems to kill treble frequencies a bit more as you turn the volume down).

Click the photo to go to the Ebay auction page, for bigger photos and more info!

Posted in Guitar, Music | 4 Comments

Selling my JJ Retro

I’ve never been particularly good at selling guitars. Despite my best attempts at rationality, and despite not usually being a sentimental person, I always seem to find myself erring on the side of nostalgia and emotional attachment. They’re just tools, fergawdsake!

However, the need to declutter and the impending arrival of something new and rather tasty means I have to be brutal. I haven’t really used my JJ Retro for a while now, so it’s going, shortly to be followed by something else (details to follow).

You can find all the details, including a little demo video I made, on the Ebay page (click the picture) but in summary… it’s a prototype, from the last stage of development before the original JJ range went into production. As far as I’m aware, it’s the only left-handed prototype they made (it was specifically made for me when I agreed to endorse them) so it’s unique!

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